the

matter

as

restoration

the witness hides in burning walls

drawing and drowning in layers of jellyfish

all colors in spaces

every foot is a sea

walking big steps

each step in the marshes

without verbs

to stand in speeds

continuing across the border of a picture

escaping from gnomes

they might not even exist

to rest in numbers

to switch machines with keys

unlocked and copied

to propose a salt

cut in many angles

reduced to components

matter in essence

in static light

and

different ilaupoleas

or ink

in drying wells

as

links

next to

,

the
matter

as
restoration

the witness hides in burning walls

drawing and drowning in layers of jellyfish
all colors in spaces

every foot is a sea
walking big steps
each step in the marshes

without verbs

to stand in speeds
continuing across the border of a picture

escaping from gnomes
they might not even exist

to rest in numbers

to switch machines with keys

unlocked and copied

to propose a salt
cut in many angles

reduced to components
matter in essence
in static light

and
different ilaupoleas

or ink
in drying wells

as
links

next to

,

the

matter

as

restoration

the witness hides in burning walls

drawing and drowning in layers of jellyfish

all colors in spaces

every foot is a sea

walking big steps

each step in the marshes

without verbs

to stand in speeds

continuing across the border of a picture

escaping from gnomes

they might not even exist

to rest in numbers

to switch machines with keys

unlocked and copied

to propose a salt

cut in many angles

reduced to components

matter in essence

in static light

and

different ilaupoleas

or ink

in drying wells

as

links

next to

,