the
curling
as
fixture
the bomb is not ticking
the wrong place is found in seconds
the face opens eleven smiles
running in sequence
louder at each iteration
this is not a continuation of the above
it talks about something completely different
rivers leave no rooms
collecting all rains and lenses
the fluid in a solid empty
to take the alphabet to internal pictures
a skin with numbers to undo
forms and marks
ideas and voices
images and lines
or series
in groups
as
marbles
without
LA BIBLIOTECA ALGONERICA
the frequent grips
,
the
curling

as
fixture

the bomb is not ticking
the wrong place is found in seconds
the face opens eleven smiles

running in sequence
louder at each iteration
this is not a continuation of the above

it talks about something completely different
rivers leave no rooms
collecting all rains and lenses

the fluid in a solid empty
to take the alphabet to internal pictures
a skin with numbers to undo

forms and marks
ideas and voices
images and lines

or series
in groups

as
marbles

without

LA BIBLIOTECA ALGONERICA
the frequent grips


,
the
curling
as
fixture
the bomb is not ticking
the wrong place is found in seconds
the face opens eleven smiles
running in sequence
louder at each iteration
this is not a continuation of the above
it talks about something completely different
rivers leave no rooms
collecting all rains and lenses
the fluid in a solid empty
to take the alphabet to internal pictures
a skin with numbers to undo
forms and marks
ideas and voices
images and lines
or series
in groups
as
marbles
without
LA BIBLIOTECA ALGONERICA
the frequent grips
,